Poetry

Antonopoulou, T. (2010) “On the Reception of Homilies and Hagiography in Byzantium: The Recited Metrical Prefaces,” in Imitatio–aemulatio–variatio: Akten des internationalen wissenschaftlichen Symposiums zur byzantinischen Sprache und Literatur (Wien, 22.–25. Oktober 2008), eds. A. Rhoby and E. Schiffer. Vienna: 57–79.

Bernard, F. (2014) Writing and Reading Byzantine Secular Poetry (1025–1081). Oxford.

Bernard, F., and K. Demoen (2019) “Book Epigrams,” in A Companion to Byzantine Poetry, eds. W. Hörandner, A. Rhoby, and N. Zagklas. Leiden and Boston: 404–429.

Conley, T. (1995) “Practice to Theory: Byzantine ‘Poetrics,’” in Greek Literary Theory after Aristotle: A Collection of Papers in Honour of D. M. Schenkeveld, eds. J. G. J. Abbenes, S. R. Slings, and I. Sluiter. Amsterdam: 301–320.

Demoen, K. (2004) “John Geometres’ Iambic Life of Saint Panteleemon. Text, Genre and Metaphrastic Style,” in Philomathestatos: Studies in Greek Patristic and Byzantine Texts Presented to Jacques Noret for his Sixty-Fifth Birthday, eds. P. Van Deun, B. Roosen, and B. Janssens. Leuven: 165–184.

Gasparov, M. (1996) A History of European Versification, trans. G. S. Smith and M. Tarlinskaja. Oxford.

Giannouli, A. (2013) “Catanyctic Religious Poetry: A Survey,” in Theologica Minora: The Minor Genres of Byzantine Theological Literature, eds. A. Rigo, P. Ermilov, and M. Trizio. Turnhout 2013: 86–109.

Grosdidier de Matons, J. (1977) Romanos le Mélode et les origines de la poésie religieuse à Byzance. Paris.

Hinterberger, M. (1999) Autobiographische Traditionen in Byzanz. Vienna.
Hörandner, W. (1995) “Beobachtungen zur Literarästhetik der Byzantiner: Einige byzantinische Zeugnisse zu Metrik und Rhythmik,” Byzantinoslavica 56: 279–290.

Hörandner, W. (2008) “Poetry and Romances,” in The Oxford Handbook of Byzantine Studies, ed. E. Jeffreys. Oxford: 894–906.

Hörandner, W. (2012a) “The Byzantine Didactic Poem – A Neglected Literary Genre? A Survey with Special Reference to the Eleventh Century,” in Poetry and Its Context in Eleventh-Century Byzantium, eds. F. Bernard and K. Demoen. Farnham, UK, and Burlington, VT: 55–67.

Hörandner, W. (2012b) “Pseudo-Gregorios Korinthios, Über die vier Teile der perfekten Rede,” Medioevo greco 12: 87–131.

Hörandner, W. (2017) Forme et fonction: Remarques sur la poésie dans la société byzantine. Paris.

Hörandner, W., and A. Paul (2011) “Zu Ps.-Psellos, Gedichte 67 (Ad monachum superbum) und 68 (Ad eundem),” Medioevo Greco 11: 107–138.

Hörandner, W., A. Rhoby, and N. Zagklas (eds.) (2019) A Companion to Byzantine Poetry. Leiden.

Jeffreys, E. (2009) “Why Produce Verse in Twelfth-Century Constantinople?” in “Doux remède . . .”: Poésie et poétique à Byzance. Actes du IVe colloque international philologique, Paris, 23–24–25 février 2006, eds. P. Odorico, Hinterberger M., and P. Agapitos. Paris: 219–228.

Jeffreys, M. (1974) “The Nature and Origin of the Political Verse,” Dumbarton Oaks Papers 28: 141–195.

Koder, J. (2011) Die Hymnen Symeons, des Neos Theologos: Überlegungen zur literarischen Einordnung und zu den Intentionen des Autors. Munich.
Lampsides, O. (1971–1972) “Σχόλια εἰς τὴν ἀκουστικὴν μετρικὴν βυζαντινῶν στιχουργῶν ἰαμβικοῦ τριμέτρου,” Ἀρχεῖον Πόντου 31: 235–340.

Lauxtermann, M. (1998) “The Velocity of Pure Iambs: Byzantine Observations on the Metre and Rhythm of the Dodecasyllable,” Jahrbuch der Österreichischen Byzantinistik 48: 9–33.

Lauxtermann, M. (1999) The Spring of Rhythm: An Essay on the Political Verse and Other Byzantine Metres. Vienna.

Lauxtermann, M. (2003) Byzantine Poetry from Pisides to Geometres: Texts and Contexts, vol. 1. Vienna.

Lauxtermann, M. (2004) “La Poesia,” in Lo spazio letterario del Medioevo. 3: Le culture circostanti, Volume 1: La cultura bizantina, ed. G. Cavallo. Rome: 301–343.

Lauxtermann, M. (2009) “Byzantine Didactic Poetry and the Question of Poeticality,” in “Doux remède . . .”: Poésie et poétique à Byzance. Actes du IVe colloque international philologique, Paris, 23–24–25 février 2006, eds. P. Odorico, M. Hinterberger, and P. Agapitos. Paris: 37–46.

Lauxtermann, M. (2019) Byzantine Poetry from Pisides to Geometres: Texts and Contexts, vol. 2. Vienna.

Livanos, C. (2010) “Trends and Developments in Byzantine Poetry,” in The Byzantine World, ed. P. Stephenson. London and New York: 200–210.

Maas, P. (1903) “Der byzantinische Zwölfsilber,” Byzantinische Zeitschrift 12: 278–323.

Macrides, R. (1985) “Poetic Justice in the Patriarchate: Murder and Cannibalism in the Provinces,” in Cupido legum, eds. L. Burgmann, M. T. Fögen, and A. Schminck. Frankfurt am Main: 137–168.

Magdalino, P. (2012) “Cultural Change? The Context of Byzantine Poetry from Geometres to Prodromos,” in Poetry and Its Contexts in Eleventh-Century Byzantium, eds. F. Bernard and K. Demoen. Farnham, UK, and Burlington, VT: 19–36.
McGuckin, J. (2006) “Gregory: The Rhetorician as Poet,” in Gregory of Nazianzus: Images and Reflections, eds. J. Børtnes, and T. Hägg. Copenhagen: 193–212.

Milovanović-Barham, Č. (1997) “Gregory of Nazianzus: Ars Poetica (In suos versus: Carmen 2.1.39),” Journal of Early Christian Studies 5: 497–510.

Mitsakis, K. (1990) “Byzantine and Modern Greek Parahymnography,” Studies in Eastern Chant 5: 9–76.

Odorico, P., P. Agapitos, and M. Hinterberger (eds.) (2009) “Doux remède . . .”: Poésie et poétique à Byzance. Actes du IVe colloque international philologique, Paris, 23–24–25 février 2006. Paris.

Papaioannou, S. (2013) Michael Psellos: Rhetoric and Authorship in Byzantium. Cambridge and New York.

Papalexandrou, A. (2001) “Text in Context: Eloquent Monuments and the Byzantine Beholder,” Word and Image 17: 259–283.

Parpulov, G. R. (2014) Towards a History of Byzantine Psalters. Plovdiv.

Rhoby, A. (2009) Byzantinische Epigramme auf Fresken und Mosaiken (= Byzantinische Epigramme in inschriftlicher Überlieferung I). Vienna.

Rhoby, A. (2010) Byzantinische Epigramme auf Ikonen und Objekten der Kleinkunst (= Byzantinische Epigramme in inschriftlicher Überlieferung II). Vienna.

Rhoby, A. (2011) “Vom jambischen Trimeter zum byzantinischen Zwölfsilber. Beobachtung zur Metrik des spätantiken und byzantinischen Epigramms,” Wiener Studien 124: 117–142.

Rhoby, A. (2014) Byzantinische Epigramme auf Stein (= Byzantinische Epigramme in inschriftlicher Überlieferung III). Vienna.

Rhoby, A. (2015) “Labeling Poetry in the Middle and Late Byzantine Period,” Byzantion 85: 259–283.

Rhoby, A. (2018) Ausgewählte byzantinische Epigramme in illuminierten Handschriften: Verse und ihre “inschriftliche” Verwendung in Codices des 9. bis 15. Jahrhunderts (= Byzantinische Epigramme in inschriftlicher Überlieferung IV; nach Vorarbeiten von R. Stefec). Vienna.

Romano, R. (1985) “Teoria e prassi della versificazione: Il dodecasillabo nei Panegirici epici di Giorgio di Pisidia,” Byzantinische Zeitschrift 78: 1–22.

Simelidis, C. (2009) Selected Poems of Gregory of Nazianzus: I.2.17, II.1.10, 19, 32: A Critical Edition with Introduction and Commentary. Göttingen.

Stevenson, H. (1876) “L’hymnographie de l’église grecque: Du rhythme dans les cantiques de la liturgie grecque,” Revue des questions historiques 20: 482–543.

Valiavitcharska, V. (2013) Rhetoric and Rhythm in Byzantium: The Sound of Persuasion. Cambridge.

van Opstall, E. (2016) “The Pleasure of Mudslinging: An Invective Dialogue in Verse from 10th century Byzantium,” Byzantinische Zeitschrift 108: 771–796.

Walker, J. (2000) Rhetoric and Poetics in Antiquity. Oxford and New York.

Zagklas, N. (2017) “Experimenting with Prose and Verse in Twelfth-Century Byzantium: A Preliminary Study,” Dumbarton Oaks Papers 71: 229–248.

Inscriptions

Agosti, G. (1997) “The ποικιλία of Paul the Bishop,” Zeitschrift für Papyrologie und Epigraphik 116: 31–38.

Agosti, G. (2004–2005) “Immagini e poesia nella tarda antichità: Per uno studio dell’estetica visuale della poesia greca fra III e VI sec. d.C.”, in Phantasia: Il pensiero per immagini degli antichi e dei moderni. Atti del Convegno Internazionale = Incontri triestini di filologia classica 4: 351–374.

Agosti, G. (2011–2012) “Interazioni fra testo e immagini nell’oriente tardoantico: gli epigrammi epigrafici,” Atti della Pontificia Accademia Romana di Archeologia, ser. 3, Rendiconti 84: 247–270.

Agosti, G. (2016) “Epigrafia metrica tardoantica e democratizzazione della cultura,” in Forme di accesso al sapere in età tardoantica e altomedievale, eds. L. Cristante and V. Veronesi. Trieste: 131–147.

Anderson, J. C. (1992) The New York Cruciform Lectionary. University Park, PA.

Austin, J. L. (1962) How to Do Things with Words. Cambridge, MA.

Bakos, E. D. (1992) Βυζαντινή ποίηση καί εἰκονομαχικαί ἔριδες. Athens.

Balty, J. C. (1976) “L’évêque Paul et le programme architectural et décoratif de la cathédrale d’Apamée,” in Mélanges d’histoire ancienne et d’archéologie offerts à Paul Collart. Lausanne: 31–46.

Bandt, C. (2007) Der Traktat “Vom Mysterium der Buchstaben”: Kritischer Text mit Einführung, Übersetzung und Anmerkungen. Berlin and New York.
Bardill, J. (2017) “The Date, Dedication, and Design of Sts. Sergius and Bacchus in Constantinople,” Journal of Late Antiquity 10(1): 62–130.

Barthes, R. (1977) “Rhetoric of the Image,” in Image, Music, Text, trans. S. Heath. New York: 32–51.

Bernabò, M., and E. Magnelli (2011) “Il codice Laurenziano plut. 32.52 e l’iconografia bizantina dei carmina figurata,” Bizantinistica: Rivista di Studi Bizantini e Slavi 2nd ser. 13: 189–232.

Bernard, É. (1969) Inscriptions métriques de l’Égypte gréco-romaine: Recherches sur la poésie épigrammatique des Grecs en Égypte. Paris.

Bernard, F. (2014) Writing and Reading Byzantine Secular Poetry, 1025–1081. Oxford and New York.

Bernard, F., and K. Demoen (eds.) (2012) Poetry and Its Contexts in Eleventh-Century Byzantium. Farnham, UK, and Burlington, VT.

Bettarini, R. (ed.) (1966–1987) Giorgio Vasari: Le vite de’ più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, 6 vols., with commentary by P. Barocchi. Florence.

Bianconi, D. (2009) “Et le livre s’est fait poésie,” in “Doux remède . . .”: Poésie et poétique à Byzance. Actes du IVe colloque international philologique, Paris, 23–24–25 février 2006, eds. P. Odorico, P. A. Agapitos, and M. Hinterberger. Paris: 15–35.

Bolle, K., C. Machado, and C. Witschel (eds.) (2017) The Epigraphic Cultures of Late Antiquity. Stuttgart.

Braounou-Pietsch, E. (2010) Beseelte Bilder: Epigramme des Manuel Philes auf bildliche Darstellungen. Vienna.

Bredehoft, T. A. (2014) The Visible Text: Textual Production and Reproduction from Beowulf to Maus. Oxford.

Brubaker, L. (1991) “The Introduction of Painted Initials in Byzantium,” Scriptorium 45: 22–46.

Brubaker, L. (1996) “When Pictures Speak: The Incorporation of Dialogue in the NinthCentury Miniatures of Paris gr. 510,” Word & Image 12(1): 94–109.

Carr, A. W., and A. Nicolaïdès (eds.) (2012) Asinou across Time: Studies in the Architecture and Murals of the Panagia Phorbiotissa, Cyprus. Washington, DC.

Cavallo, G. (1994) “Testo e immagine: una frontiera ambigua,” in Testo e immagine nell’alto Medioevo, vol. 1. Spoleto: 31–62.

Cavallo, G., and H. Maehler (2008) Hellenistic Bookhands. Berlin and New York.

Chastang, P. (2008) “L’archéologie du texte médiéval: Autour de travaux récents sur l’écrit au Moyen ge,” Annales. Histoire, Sciences sociales 63: 245–269.

Croke, B. (2006) “Justinian, Theodora, and the Church of Saints Sergius and Bacchus,” Dumbarton Oaks Papers 60: 25–63.

Dagron, G. (2007) Décrire et peindre: Essai sur le portrait iconique. Paris.

De Gregorio, G. (2010) “Epigrammi e documenti: Poesia come fonte per la storia di chiese e monasteri bizantini,” in Sylloge Diplomatico-Palaeographica I: Studien zur byzantinischen Diplomatik und Paläographie, eds. C. Gastgeber and O. Kresten. Vienna: 9–134.

Dethier, P. A. (1858) Fac-simile der Inschrift in der kleinen Hagia Sofia zu Konstantinopel. Vienna.

Déroche, V. (2006) “Écriture, lecture et monachisme à la haute époque byzantine,” in Lire et écrire à Byzance, ed. B. Mondrain. Paris: 113–123.
Destephen, S. (2020) “The Process of ‘Byzantinization’ in Late Antique Epigraphy,” in Inscribing Texts in Byzantium: Continuities and Transformations, eds. M. D. Lauxtermann and I. Toth. London and New York: 17–34.

Diamantopoulou, L. (2016) Griechische visuelle Poesie: Von der Antike bis zur Gegenwart. Frankfurt am Main.

Drpić, I. (2016) Epigram, Art, and Devotion in Later Byzantium. Cambridge and New York.

Drpić, I. (2020) “Short Texts on Small Objects: The Poetics of the Byzantine Enkolpion,” in Inscribing Texts in Byzantium: Continuities and Transformations, eds. M. D. Lauxtermann and I. Toth. London and New York: 309–334.

Drpić, I., and A. Rhoby (2019) “Byzantine Verses as Inscriptions: The Interaction of Text, Object, and Beholder,” in A Companion to Byzantine Poetry, eds. W. Hörandner, A. Rhoby, and N. Zagklas. Leiden and Boston: 430–455.

Eastmond, A. (ed.) (2015) Viewing Inscriptions in the Late Antique and Medieval World. New York.

Eastmond, A. (2016) “Monograms and the Art of Unhelpful Writing in Late Antiquity,” in Sign and Design: Script as Image in Cross-Cultural Perspective (300–1600 CE), eds. B. M. BedosRezak and J. F. Hamburger. Washington, DC: 219–235.

Ernst, U. (1991) Carmen figuratum: Geschichte des Figurengedichts von den antiken Ursprüngen bis zum Ausgang des Mittelalters. Cologne.

Feind, R. (2010) Byzantinische Monogramme und Eigennamen: Alphabetisiertes Wörterbuch. Regenstauf.
Feissel, D. (2006) Chroniques d’épigraphie byzantine 1987–2004. Paris.

Ferreri, L. (2006) “Il commento di Manuele Olobolo all’Ara dorica di Dosiada: Storia della tradizione ed edizione critica,” Νέα Ῥώμη: Rivista di ricerche bizantinistiche 3: 317–353.

Fink, W. (1971) Das byzantinische Monogramm (PhD diss.). Vienna.

Follieri, E. (1974) “Tommaso di Damasco e l’antica minuscola libraria greca,” Atti della Accademia Nazionale dei Lincei, ser. 8, Rendiconti. Classe di scienze morali, storiche e filologiche 29(3–4): 145–163.

Foskolou, V. (2014) “The Magic of the Written Word: The Evidence of Inscriptions on Byzantine Magical Amulets,” Δελτίον τῆς Χριστιανικῆς Ἀρχαιολογικῆς Ἑταιρείας 35: 329–348.

Franc-Sgourdeou, C. (1967) “Les initiales historiées dans les manuscrits byzantins aux XIe– XIIe s.,” Byzantinoslavica 28: 336–354.

Frankfurter, D. (1994) “The Magic of Writing and the Writing of Magic: The Power of the Word in Egyptian and Greek Traditions,” Helios 21(2): 189–221.

Galli Calderini, I. G. (1987) “L’epigramma greco tardoantico: Tradizione e innovazione,” Vichiana 16: 103–134.

Garipzanov, I. (2018) Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300–900. Oxford.

Goldhill, S. (1994) “The Naïve and Knowing Eye: Ecphrasis and the Culture of Viewing in the Hellenistic World,” in Art and Text in Ancient Greek Culture, eds. S. Goldhill and R. Osborne. Cambridge and New York: 197–223.
Greber, E., K. Ehlich, and J.-D. Müller (eds.) (2002) Materialität und Medialität von Schrift. Bielefeld.

Grünbart, M. (2012) “Zur Memorialkultur im byzantinischen Mittelalter,” in Byzantine Religious Culture: Studies in Honor of Alice-Mary Talbot, eds. D. Sullivan, E. Fisher, and S. Papaioannou. Leiden and Boston: 373–394.

Hilgert, M. (2010) “‘Text-Anthropologie’: Die Erforschung von Materialität und Präsenz des Geschriebenen als hermeneutische Strategie,” in Altorientalistik im 21. Jahrhundert: Selbstverständnis, Herausforderungen, Ziele, ed. M. Hilgert = Mitteilungen der Deutschen Orient-Gesellschaft zu Berlin 142: 87–126.

Hörandner, W. (1990) “Visuelle Poesie in Byzanz,” Jahrbuch der Österreichischen Byzantinistik 40: 1–42.

Hörandner, W. (2007) “Zur Topik byzantinischer Widmungs- und Einleitungsgedichte,” in Dulce melos: La poesia tardoantica e medievale, ed. V. Panagl. Alessandria: 319–335.

Hörandner, W. (2009) “Weitere Beobachtungen zu byzantinischen Figurengedichten und Tetragrammen,” Νέα Ῥώμη: Rivista di ricerche bizantinistiche 6: 291–304.

Hörandner, W. (2017) Forme et fonction: Remarques sur la poésie dans la société byzantine. Paris.

Hörandner, W., and A. Rhoby (eds.) (2008) Die kulturhistorische Bedeutung byzantinischer Epigramme. Vienna.

Hostetler, B. (2020) “Towards a Typology for the Placement of Names on Works of Art,” in Inscribing Texts in Byzantium: Continuities and Transformations, eds. M. D. Lauxtermann and I. Toth. London and New York: 267–290.

Hunger, H. (1978) Die hochsprachliche profane Literatur der Byzantiner, 2 vols. Munich = (1991– 1992–1994) Βυζαντινὴ λογοτεχνία. Ἡ λόγια κοσμικὴ γραμματεία τῶν Βυζαντινῶν, 3 vols. Athens.

Hunger, H. (1984) “Die Herrschaft des ‘Buchstabens’: Das Verhältnis der Byzantiner zu Schriftund Kanzleiwesen,” Δελτίον τῆς Χριστιανικῆς Ἀρχαιολογικῆς Ἑταιρείας 12: 17–38.

Hunger, H. (1989) Schreiben und Lesen in Byzanz: Die byzantinische Buchkultur. Munich.
Hutter, I. (2010) “Marginalia decorata,” in The Legacy of Bernard de Montfaucon: Three Hundred Years of Studies on Greek Handwriting, eds. A. Bravo García and I. Pérez Martín, 2 vols. Turnhout: 1: 97–106, 2: 719–734.

James, L. (ed.) (2007a) Art and Text in Byzantine Culture. Cambridge and New York.

James, L. (2007b) “‘And Shall These Mute Stones Speak?’ Text as Art,” in Art and Text in Byzantine Culture, ed. L. James. Cambridge and New York: 188–206.

Johnson, W. A. (2010) Readers and Reading Culture in the High Roman Empire: A Study of Elite Communities. New York.

Kalopissi-Verti, S. (2003) “Church Inscriptions as Documents: Chrysobulls-Ecclesiastical Acts-Inventories-Donations-Wills,” Δελτίον τῆς Χριστιανικῆς Ἀρχαιολογικῆς Ἑταιρείας 24: 79–88.

Kalvesmaki, J. (2013) “Pachomius and the Mystery of the Letters,” in Ascetic Culture: Essays in Honor of Philip Rousseau, eds. B. Leyerle and R. D. Young. South Bend, IN: 11–28.

Karagianne, Phl. (2008) “Παρατηρήσεις στη χρήση της μικρογράμματης γραφής στις βυζαντινές επιγραφές (10ος–14ος αι.),” in Πρακτικά του ΣΤ’ Διεθνούς Συμποσίου Ελληνικής Παλαιογραφίας (Δράμα, 21-27 Σεπτεμβρίου 2003), eds. B. Atsalos and N. Tsirone. Athens: 2: 681–688.

Kessler, H. L. (2006) “The Book as Icon,” in In the Beginning: Bibles before the Year 1000, ed. M. P. Brown. Washington, DC: 77–103.

Kiening, C., and M. Stercken (eds.) (2008) SchriftRäume: Dimensionen von Schrift zwischen Mittelalter und Moderne. Zurich.

Kitzinger, E. (1951) “Studies on Late Antique and Early Byzantine Floor Mosaics: I. Mosaics at Nikopolis,” Dumbarton Oaks Papers 6: 81–122.
Komines, A. (1966) Τὸ βυζαντινὸν ἱερὸν ἐπίγραμμα καὶ οἱ ἐπιγραμματοποιοί. Athens.

Kotansky, R. (1994) Greek Magical Amulets: The Inscribed Gold, Silver, Copper, and Bronze Lamellae, part 1, Published Texts of Known Provenance. Opladen.

Krause, K., and B. Schellewald (eds.) (2011) Bild und Text im Mittelalter. Cologne.

Kubina, K. (2020) Die enkomiastische Dichtung des Manuel Philes: Form und Funktion des literarischen Lobes in der frühen Palaiologenzeit. Berlin and Boston.

Lauritzen, F. (2013) “Psellos and Neo-Platonic Mysticism: The Secret Meaning of the Greek Alphabet (Opusc. phil. I 36, 335–642),” in Platonismus und Esoterik in byzantinischem Mittelalter und italienischer Renaissance, ed. H. Seng. Heidelberg: 29–43.

Lauxtermann, M. D. (2003) Byzantine Poetry from Pisides to Geometres: Texts and Contexts, vol. 1. Vienna.

Lauxtermann, M. D., and I. Toth (eds.) (2020) Inscribing Texts in Byzantium: Continuities and Transformations. London and New York.

Leatherbury, S. V. (2020) Inscribing Faith in Late Antiquity: Between Reading and Seeing. London and New York.

Linardou, K. (2013) “An Alternative to Illustration: Marginalia Figurata in the Codex Coislin 88 of the Bibliothèque Nationale,” Δελτίον τῆς Χριστιανικῆς Ἀρχαιολογικῆς Ἑταιρείας 34: 285–300.

Linardou, K. (2017) “An Exercise in Extravagance and Abundance: Some Thoughts on the Marginalia Decorata in the Codex Parisinus Graecus 216,” in Graphic Devices and the Early Decorated Book, eds. M. P. Brown, I. H. Garipzanov, and B. C. Tilghman. Woodbridge, UK: 218–239.

Maayan-Fanar, E. (2011) Revelation through the Alphabet: Aniconism and Illuminated Initial Letters in Byzantine Artistic Imagination. Geneva.

Maguire, H. (1981) Art and Eloquence in Byzantium. Princeton, NJ.
Maguire, H. (1987) Earth and Ocean: The Terrestrial World in Early Byzantine Art. University Park, PA.

Maguire, H. (1996) Image and Imagination: The Byzantine Epigram as Evidence for Viewer Response. Toronto.

Mango, C. (1963) “The Conciliar Edict of 1166,” Dumbarton Oaks Papers 17: 315–330.

Mango, C. (1972) “The Church of Saints Sergius and Bacchus at Constantinople and the Alleged Tradition of Octagonal Palatine Churches,” Jahrbuch der Österreichischen Byzantinistik 21: 189–193.

Mango, C. (1991) “Byzantine Epigraphy (4th to 10th Centuries),” in Paleografia e codicologia greca: Atti del II colloquio internazionale (Berlino-Wolfenbüttel, 17–21 ottobre 1983), eds. D. Harlfinger et al., 2 vols. Alessandria: 1: 235–249, 2: 117–146.

Männlein-Robert, I. (2007) Stimme, Schrift und Bild: Zum Verhältnis der Künste in der hellenistischen Dichtung. Heidelberg.

Martini, E. (ed.) (1900) Manuelis Philae carmina inedita ex cod. C VII 7 Bibliothecae nationalis Taurinensis et cod. 160 Bibliothecae publicae Cremonensis. Naples.

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Mercati, S. G. (1925) “Epigraphica, II: Sulla tradizione manoscritta dell’iscrizione del fregio dei Santi Sergio e Bacco di Costantinopoli,” Atti della Pontificia Accademia Romana di Archeologia, ser. 3, Rendiconti 3: 197–205.

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Miller, E. (ed.) (1855–1857) Manuelis Philae carmina ex codicibus Escurialensibus, Florentinis, Parisinis et Vaticanis, 2 vols. Paris (repr. Amsterdam 1967).

Mundell Mango, M. (1986) Silver from Early Byzantium: The Kaper Koraon and Related Treasures. Baltimore, MD.
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